Université du Nouveau-Mexique, Albuquerque, États-Unis 15-17 octobre 2015Programme détaillé du colloque
Introduction Frédéric Pousin
Session 1: Cultural Landscape Photography Timothy Davis , “Visualizing Vernacular Landscapes.”Monique Sicard , “Bernard Plossu’s Landscapes and New Mexico: in Favor of a Genesis of Photography.”
Session 2: The Interrelation of J. B. Jackson’s Photography and Landscape Theory Paul Groth , “J. B. Jackson’s Slides: Landscape Categories for Thinking and Learning.”Jordi Ballesta , “J. B. Jackson: Field Research and Amateur Photographic Practices.”
Session 3: The Aesthetic Predilections and Visual Narratives of J. B. Jackson Helen L. Horowitz , “The Discerning Eye behind J. B. Jackson’s Camera.”Bruno Notteboom , “‘Landscape is a Rich and Beautiful Book, We Have but to Learn to Read It : J. B. Jackson’s Visual and Textual Discourse in the Journal Landscape .”
Session 4: Contemporary Landscape Interpretation Frédéric Pousin , “A Renewed Photographic Observatory for Exploring the Metropolitan Territory of Marseille.”Matthew Coolidge , “Anthropogeomorphology is Everywhere: Projects of the Center for Land Use Interpretation.”
Session 5: Inhabited and Natural Landscapes Miguel Gandert, “Space, Time and Photography: The Influences of Edward T. Hall and J. B. Jackson.”Sabine Delcour , “How to Belong to a Place?”
SESSION 6: Photography and the Practice of Landscape Architecture Laurie Olin , “Seeing is Believing/Looks are Deceiving: Postwar Landscape Architecture Practice and Photography.”Marie-Madeleine Ozdoba , “Rendering the Site, Rendering the Project: Uses of Photography in the Landscape Architecture Practices of Agence Ter and Bureau Bas Smets.”
Session 7: Vernacular in Place: Old and New Topographics Lin Chi-Ming , “New Topographics : Historical Points of View.”
Session 8: Photography, Art, and the Politics of Landscape Raphaële Bertho , “From the American Survey to the French Mission, What Photographic Landscape Policy?”Lucy Lippard , “Looking, Then Seeing: Critical Landscape Photography in the Changing West.”
Session 9: Concluding Comments and Discussion Chris Wilson
— Pour voir la vidéo, activer le lien de la session correspondante. —
Session 1: Cultural Landscape Photography
Session 1: Cultural Landscape Photography
Session 1: Cultural Landscape Photography
Session 1: Cultural Landscape Photography
Session 1: Cultural Landscape Photography
Session 1: Cultural Landscape Photography
Session 1: Cultural Landscape Photography
Session 1: Cultural Landscape Photography
Session 1: Cultural Landscape Photography
Session 2: Interrelation of J. B. Jackson’s Photography and Theory
Session 2: Interrelation of J. B. Jackson’s Photography and Theory
Session 2: Interrelation of J. B. Jackson’s Photography and Theory
Session 2: Interrelation of J. B. Jackson’s Photography and Theory
Session 2: Interrelation of J. B. Jackson’s Photography and Theory
Session 2: Interrelation of J. B. Jackson’s Photography and Theory
Session 2: Interrelation of J. B. Jackson’s Photography and Theory
Session 2: Interrelation of J. B. Jackson’s Photography and Theory
Session 2: Interrelation of J. B. Jackson’s Photography and Theory
Session 2: Interrelation of J. B. Jackson’s Photography and Theory
Session 3: Aesthetic Predilections and Visual Narratives of J. B. Jackson
Session 3: Aesthetic Predilections and Visual Narratives of J. B. Jackson
Session 3: Aesthetic Predilections and Visual Narratives of J. B. Jackson
Session 3: Aesthetic Predilections and Visual Narratives of J. B. Jackson
Session 4: Contemporary Landscape Interpretation
Session 4: Contemporary Landscape Interpretation
Session 4: Contemporary Landscape Interpretation
Session 4: Contemporary Landscape Interpretation
Session 4: Contemporary Landscape Interpretation
Session 4: Contemporary Landscape Interpretation
Session 4: Contemporary Landscape Interpretation
Session 4: Contemporary Landscape Interpretation
Session 5: Inhabited and Natural Landscapes
Session 5: Inhabited and Natural Landscapes
Session 5: Inhabited and Natural Landscapes
Session 5: Inhabited and Natural Landscapes
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 6: Photography and the Practice of Landscape Architecture
Session 8: Photography, Art and the Politics of Landscape
Session 8: Photography, Art and the Politics of Landscape
Comments and Concluding Discussion
Comments and Concluding Discussion
Photos: Sonia Keravel
Enregistrer
